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INSPIRATION | HOW I USED ANTIQUE AND VINTAGE CLAY POTTERY TO STYLE A SPRING TABLE

It’s no secret that I am big fan (read: huge) of antique and vintage pots and vessels.

With the opening of the shop a couple of weeks ago, I’m all stocked up on all sorts of fun pots and decided to elevate this spring table inspiration some of those found items and I love the way it all turned out.

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This pot makes such a statement in the middle of our dining table and even though it’s brown like the rest, the texture and size help separate it from the rest. It’s definitely one of my faves from this week but who am I really kidding? I can’t resist any of this stuff.

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I mean, can you even stand this beauty? Perfectly glazed and aged.

 
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I layered some of my staple white dinner plates and acacia wood chargers with these Moroccan glasses and these slubby new stonewashed linen napkins. They are the perfect cream color and create such a warm and calming vibe for this tabletop inspiration.

 
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I thought adding these Moroccan tea glasses would be the perfect complement to the styling of this tabletop and to the flowers in the pots.

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This salt glazed jug adds just the right bit of contrast to this spring inspired table.

This salt glazed jug adds just the right bit of contrast to this spring inspired table.

Because we know no table or dinner is complete without a good story, I thought it’d be cool to share some of the things I learned with you about some of these pieces as I collected them.

I so adore the rich history that these vessels carry and hope that as you explore your own story and design styles, you’ll find that you connect with these pieces in new ways.

 

VINTAGE JUGS, CROCKS + POTS AND THEIR PAST LIVES


SALT GLAZED STONEWARE

While salt-glazed stoneware probably originated in the Rhineland area of Germany circa 1400's, it became the dominant houseware of the United States of America circa 1780-1890. Americans began producing salt-glazed stoneware circa 1720 in Philadelphia, Pennsylvania, and Yorktown, Virginia. Many of them were used in prohibition for whiskey and other types of liquor at that time.

While salt-glazing is the typical glaze technique seen on American Stoneware, other glaze methods were employed. Vessels were often dipped in Albany Slip, a mixture made from a clay peculiar to the Upper Hudson Region of New York, and fired, producing a dark brown glaze. Albany Slip was also sometimes used as a glaze to coat the inside surface of salt-glazed ware.


CROCKS (U.S.)

The vernacular term "crocks" is often used to describe this type of pottery, though the term "crock" is not seen in period documents describing the ware. Additionally, while other types of stoneware were produced in America concurrently with it—for instance, ironstone, yellowware, and various types of china—in common usage the term "American Stoneware" refers to this specific type of pottery. (Wikipedia, 2021)


 

xo,

Kennesha

 

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STORY: MY EXPERIENCE AS AN AFRICAN- AMERICAN FEMALE WRITER + BLOGGER (and how to shift what we see online)

So, friends, here we are.

It’s kinda weird to think this is true, but I don’t believe I’ve talked about this at all on my blog. (whoa)

Not once in 13 years of blogging.

That’s a weird feeling. You know, seeing as how I’ve been Black and female for 40 years now. :)

I think there’s a lot to be said for that. Yes, of course, for being 40.

But…Black, female AND 40 AND holding space in an industry dominated by people who beyond don’t look like you? Now THAT is a conversation to be had.

PHOTOGRAPHER | LAUREN MITCHELL PHOTOGRAPHY

PHOTOGRAPHER | LAUREN MITCHELL PHOTOGRAPHY

For this part of my story, I’d like to share something that I experienced recently:

After a few months of touring for Restoration House Book this summer through the fall, I was invited by Myquillyn (@thenester) to join her and other talented authors at her place in NC for Nest Fest this October. We had a ball. Her barn and property was filled to the brim with folks who have invested in her original mantra “It Doesn’t Have to be Perfect to be Beautiful”. I was in awe of not only their dedication and love for her, but her ability to shower each of us as the host with such grace and hospitality was truly a sight to behold.

As I was prepping for my time to sign books in the barn, I could feel the anxiety and tension rising. I said a quick semi-silent prayer with my friend who was supporting me over the weekend (shoutout to Alexandra for being amazing) and took a deep breath as the doors opened and the crowd flowed in.

“Would anyone come to my table or will I have enough people who know me or even care about the message of this book to fill this time of signing?”, I thought to myself.

As I begin to shift my focus from me to the women who’d traveled from far and near to talk to me, have their books signed and laugh (and even receive a word of encouragement) with me I found myself caught up in conversation with one woman whom I’d complimented because of something cool she was wearing.

As we small-talked and chatted a bit (something I’m actually not that great at—hello, enneagram 8), I noticed the woman beside her flipping through my book. What I noticed even more is that as she flipped, she took momentary breaks to just, well…look at me. These weren’t just flippant looks. Her gaze felt as though it would burn a hole right into the center of my soul.

I did my best to remain engaged in the conversation but I became so heavily distracted by the increasingly frequent glances.

As our exchange came to a close, I directed my attention to her friend.

I awkwardly introduced myself by first and last name and asked for hers.

After our hurried introductions, she leaned in with both hands supporting her weight on the table between the two of us and said, “You know, I just need to tell you how encouraging and impactful it is for me (a white woman) to see a woman of color taking up space in the way that you do in what is and has really been a ‘white woman’s sport’. “ (Where are those bulging eye emoji’s when you need ‘em?)

Friends, I’d love to say that I took that as a compliment, thanked her, signed her book and moved on but I didn’t. In fact, I did quite the opposite.

As much as my brain told me to hold back my heart just would not allow it. I burst out into the ugliest ugly cry you’ve ever seen.

As tears began to stream down my cheeks (and Alexandra’s as well), I began to express my gratitude for her acknowledgment and communicated to her how deeply impactful her words were for me.

I can’t say that I’d never processed this emotion before. Sure, I had. I’d likely even pumped and psyched myself up on that very day before even arriving because TBH, as a WOC in predominantly white spaces, that’s what we do. Always. Before Trump or #blacklivesmatter or any other hashtag, it’s what we have done.

It’s a strange thing to confess that, in that moment, I felt more than seen. I felt understood. I felt, for the first time, that someone in this world of home and design chose to acknowledge the reality of the world that many within the industry lived in silently for decades.

LET’S PAUSE FOR A BIT OF A DISCLOSURE AND SOME CONTEXT, SHALL WE?

Another “TBH moment”? I’ve spent my entire life minus a few years when we lived in Tampa, FL during our time in the military, as the only ‘one’. From kindergarten to high school, in and out of friends circles, you’d find me entrenched and steeped in all things deemed culturally “white” and, if I’m honest, I was a bit proud of it. I considered myself “gifted” as it pertained to my ability to vacillate between my majority black friend groups to showing off my ability to know and sing all the lyrics to just about any Pearl Jam, Red Hot Chili Peppers or Nirvana song. That was a bonus. This was a crown I wore with pride until I realized there was a name for it (code switching) and that it could lead to horrible emotional and mental effects after years of practicing these acts of mostly unknown self-betrayals. It wasn’t that I didn’t like these things but the heart behind why I chose to prove my loyalty or worth in many ways is wrong for so many reasons. End disclosure.

Over the past couple of years I’ve felt more and more of a push to lean into this conversation here and throughout other social media platforms-particularly Instagram. I have witnessed an overwhelming response from women (mostly white) who seem to be taking a simultaneously collective sigh that says, “We’ve wanted to talk about these hard things but we haven’t known where or how.”

When speaking of diversity in design for Business of Fashion, Steven Kolb recently said this:

“I think we can just assume from the start that there's challenges for people of colour in the industry,” said Steven Kolb, president and chief executive of the Council of Fashion Designers of America (CFDA). “We need to make that a starting point and really focus on how we can improve as an industry.”

While Kolb is speaking of Black designers in fashion, I bring this point to the conversation because I believe that there is something very much infallible and indisputable about what he is saying in that quote. In order to grow in this area we must first recognize that it is an issue in the first place. We must see the significance and importance in living differently, then choose to be intentional about and focus on shifting ideas and mindsets that have empowered systems and structures to have hold for far too long.

Practically, this may begin with you walking into historically, predominantly white spaces and asking some questions. Questions like, “What can I do to change it?” or “How can I use my privilege in this space to bring attention to the lack of and need for a more diverse scope of perspectives, visuals and thoughts in this space?” are a great place to begin. Taking this beyond the area of design and blogging and into the life of the average person, you may also find it helpful to ask how you can personally become an integral part of building this conversation or how you may have backed away from opportunities to speak up about it when given space to do so in the past. How can you begin to make changes? This is what moving past “I’m not racist” and into what being “anti-racist” looks like.

It is not lost on me that even the mention of the words race or racist or racism may cause anxiety in even the most steady. Ultimately, while I understand that this may be a difficult topic to broach for many, I also believe that for far too long we’ve allowed culture and tradition to define and shape how we approach this topic; ultimately turning it into something taboo. My desire is that, through shared experienced and collective stories, it will become an intriguing and more sought after conversation than before. I believe that we have the power to swing the pendulum in an entirely different, positive direction.

PHOTOGRAPHER | LAUREN MITCHELL PHOTOGRAPHY

PHOTOGRAPHER | LAUREN MITCHELL PHOTOGRAPHY

With that being said, here are a few things you can do to cause a shift and begin to see some changes in your own life:

  • DIVERSIFY YOUR FEED. I know. This one sounds a bit trite but the truth is that as long as things all look the same in your digital world and life, they will stay the same. If your feed and life is full of people that look like you, doing things just like you then it’s time to change that. Variety is truly the spice of life. I recently spoke with a friend about this. There are very few areas in our lives that we choose to have things remain stagnant or the same. There are even fewer areas where where we’d make a conscious decision to stick to things that don’t inspire, enlighten or invigorate us. This area should be no different. Diversity is more than just filling spaces with people who don’t look like you it’s giving them the power to own their story and tell it in their unique way. Choosing to integrate other cultures and perspectives allows you the opportunity to see and hear a different message than what is being offered many times via mainstream outlets AND you have control over the curation of that message. Now, who doesn’t want that? To get started, I wrote a little something about 100 of my favorite WOC to follow here.

  • READ + LOOK AT GOOD THINGS. There’s a host of amazing resources out there from books and organizations to podcasts and other online resources. I think beyond those, asking yourself a few questions about some lies you may have believed and how you may be able to reshape those, is helpful. This is not work meant to do alone. In the second part of these conversations after the holidays, I’ll provide a list of books and other resources that I have found helpful along this journey but to begin, two of my current faves are The Color of Law and How to be Anti-Racist by Ibram X. Kendi. I suggest reading both.

  • ASK THE HARD QUESTIONS. Fight the urge to keep quiet when an opportunity arises to gain clarity on a topic re: to race. If you don’t have friends you feel safe asking, sometimes it is okay to seek out and connect with people that you may not know very well. (If you are part of an online community, this approach may work well) Remember to be respectful and that it is your responsibility to understand and gain knowledge about the things you do not understand. Let Google become your bestie. If you are having a conversation with someone you may not know well, you should always approach with verbal recognition of the sensitivity of the matter. Be forewarned, not everyone will be receptive of this course of action. Authenticity and sincerity will take you FAR. I’ve had hundreds of people reach out via direct messaging on Instagram with all sorts of thoughts, questions and stories on this topic and VERY FEW of them have been offensive to me. I can smell a pot stirrer a mile away and nothing will shut a conversation down faster than someone who’s NOT looking for restoration, resolution or reconciliation but to rather prove their point or protect their pride or image. When we choose to ask those questions, many things happen. Among those, freedom, understanding and growth. For both sides. This is and always should be the goal.

I don’t know where this year will take me but I know that my work here is not done. I am excited to continue using these platforms to have real, honest and direct conversations about some really hard things. I am committed to the undoing and reshaping and I am inviting you to join me.

PHOTOGRAPHER | LAUREN MITCHELL PHOTOGRAPHY

PHOTOGRAPHER | LAUREN MITCHELL PHOTOGRAPHY

I can’t wait to hear your thoughts on this friends. Leave them in the comments below!

XO,

Kennesha

 

A LAYERED BEDROOM REFRESH WITH REVIVAL VINTAGE RUGS | PART ONE

Recently I partnered with Revival Rugs and decided to give the one rug that I chose a try in our bedroom.

First, I guess I should start with the beginning: I have seen Revival and others touting the brand for a while and I loved what I saw. They offer wide range of vintage rugs in an array of sizes, colorways, and styles.

With all the selection I was able to square in on one that haunted me (quite literally) until I put it in my cart the next day.

Some of you may remember that we currently rent so flooring options for us are pretty slim. Rugs are a simple way in a temporary space to ground the space and to make it feel more cozy and like home.

Enter, the Aspasia.

Originally, I thought this rug would be a great addition to our family room but when I unrolled it, I realized it needed a place to show off in our bedroom against the moss green linen duvet that I recently replaced our white cotton IKEA duvet with.

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First impressions really are everything and I was so impressed with the attention and detail given to packaging and the branding of everything before I even unboxed the rug. It came in an easy to carry and access package and was neatly folded inside with a cute, thoughtful note from the folks over at Revival.

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I’m not sure about you all and how you see your bedroom, but I really want this space to feel like a bit of a retreat. Most days it’s stuffed full of things like laundry and books and magazines (only on my side—Larry keeps his side tip-top) scattered all over the place.

Initially I thought the rug was a bit more of taupe/beige from the site but then saw that it really presents as more of a lavender and thought that it would work well with the neutral tones of our upholstered bed which actually carries some purple and lavender/grey tones as well. I loved it.

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I love how the colors transition from grey to tan to lavender and that it pulls colors I’d really not ever noticed out of what could be a very boring upholstered bed.

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So, what do you think? Stay tuned for more of our bedroom refresh reveal next week! Can’t wait to talk more about how I’m using what I have but also mixed in a lot of fun new (old) things to build character in this special space.